Welcome to Check Your Mode

The all-inclusive, ever-changing, and uncomfortably flexible guide to all things music in the 2010's.

Sunday, February 19, 2012

March 2010

Recommended:

Barren Earth - Curse of the Red River: A+
Titus Andronicus - The Monitor: A+
Mulatu Asatke - Mulatu Steps Ahead: A-
Broken Bells - Broken Bells: A-
Das Racist - Shut Up, Dude: A-
Daughters - Daughters: A-
E-40 - Revenue Retrievin': Night Shift: A-
Laura Marling - I Speak Because I Can: A-
OJ Simpson - OJ Simpson: A-
Triptykon - Eperistera Daimones: A-
The White Stripes - Under Great White Northern Lights: A-

Other Stuff:

Alcest - Ècailles de lune: B+
Erykah Badu - New Amerykah Part Two: Return of the Ankh: B+
Delorean - Subiza: B+
Goldfrapp - Head First: B+
Gonjasufi - A Sufi and a Killer: B+
Love Is All - Two Thousand and Ten Injuries: B+
The Living Sisters - Love to Live: B+
The Morning Benders - Big Echo: B+
Scuba - Triangulation: B+
Standstill - Adelante Bonaparte: B+
Dum Dum Girls - I Will Be: B
E-40 - Revenue Retrievin': Day Shift: B
Free Energy - Stuck on Nothing: B
Gorillaz - Plastic Beach: B
jj - jj°3: B
Liars - Sisterworld: B-
Immolation - Majesty and Decay: C+
Negura Bunget - Vîrstele pămîntului: C+


Moved Stuff:


January 2010:
Sigh - Scenes from Hell: B+
These New Puritans - Hidden: B+
Heathen - The Evolution of Chaos: B-
Orphaned Land - The Never Ending Way of ORwarriOR: B-
Infinite Body - Carve out the Face of My God: F


February 2010:
Fang Island - Fang Island: A-
High on Fire - Snakes for the Divine: B+
Massive Attack - Heligoland: B+
Toro Y Moi - Causers of This: B+
Peter Gabriel - Scratch My Back: B
Xiu Xiu - Dear God, I Hate Myself: C+
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February 2010

Recommended:

Pantha du Prince - Black Noise: A
Stam1na - Viimeinen Atlantis: A
Fang Island - Fang Island: A-
Joanna Newsom - Have One on Me: A-
Yeasayer - Odd Blood: A-

Other Stuff:

Ali Farka Tourè & Toumani Diabatè - Ali and Toumani: B+
High on Fire - Snakes for the Divine: B+
Hot Chip - One Life Stand: B+
Massive Attack - Heligoland: B+
Midlake - The Courage of Others: B+
Jack Rose - Luck in the Valley: B+
Sade - Soldier of Love: B+
Gil Scott-Heron - I'm New Here: B+
Toro Y Moi - Causers of This: B+
Yellow Swans - Going Places: B+
Dark Tranquility - We Are the Void: B
Peter Gabriel - Scratch My Back: B
MellowHype - YelloWhite: B
The Watson Twins - Talking to You, Talking to Me: B
Lil Wayne - The Rebirth: B-
Overkill - Ironbound: B-
Xiu Xiu - Dear God, I Hate Myself: C+
Skullflower - Strange Keys to Untune Gods' Firmament: F


Stuff Moved:


January 2010:
Beach House - Teen Dream: A
Los Campesinos - Romance Is Boring: A-
The Magnetic Fields - Realism: A-
RJD2 - The Colossus: A-
Carolina Chocolate Drops - Genuine Negro Jig: B+
Citay - Dream Get Together: B+
Ihsahn - After: B+
Four Tet - There Is Love in You: C+
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January 2010

Recommended:

Laura Veirs - July Flame: A+
Beach House - Teen Dream: A
Los Campesinos - Romance Is Boring: A-
The Magnetic Fields - Realism: A-
Owen Pallett - Heartland: A-
RJD2 - The Colossus: A-
Vampire Weekend - Contra: A-

Other:

Carolina Chocolate Drops - Genuine Negro Jig: B+
Citay - Dream Get Together: B+
Grimes - Halfaxa: B+
Ihsahn - After: B+
Scout Niblett - The Calcination of Scout Niblett: B+
Race Horses - Goodbye Falkenburg: B+
Sigh - Scenes from Hell: B+
Surfer Blood - Astro Coast: B+
These New Puritans - Hidden: B+
Tindersticks - Falling Down a Mountain: B+
Eels - End Times: B
Shining - Blackjazz: B
Spoon - Transference: B
Heathen - The Evolution of Chaos: B-
Orphaned Land - The Never Ending Way of ORwarriOR: B-
Four Tet - There Is Love in You: C+
Freedy Johnston - Rain on the City: D
Infinite Body - Carve out the Face of My God: F
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Saturday, January 21, 2012

Kathleen Edwards - Voyageur: B+


As I’ve entered my third year of listening feverishly to the music of the 2010’s, I’ve noticed a few patterns. First, to no one’s surprise, the big tentpole releases come out in late June through July. An enormous dump of albums comes in the second week of September. Without fail, some of the year’s heaviest critical hitters come out in time to fudge with music critics’ year-end lists, Rihanna albums only come out in November for some reason, nobody gives a shit about April, and, in the second week of January, a seasoned alt-country veteran releases a hearty collection of soul-melters. In 2010 that veteran was Laura Veirs, in 2011 it was Over the Rhine and this year it’s Kathleen Edwards.

A part of me wants to dismiss Voyageur based on the law of diminishing returns. But that’s unfair, because I’m discrediting Edwards’ work for something that I could just as easily blame on label manipulation. Besides, Voyageur’s got some pretty savvy tunes. So here are the facts you need to know: Kathleen Edwards is a Canadian singer/songwriter who has been writing music since 2002. Voyageur marks her career’s tenth anniversary, and it seems to be poised to be her most successful record yet (for which we’ll talk about a little later).

As a songwriter, Edwards lacks the quirk of Laura Veirs or the confidence of Over the Rhine’s Karin Bergquist, but she carves out a personality for herself as passionate and self-depreciating. “I’m moving to America,” she asserts at Voyageur’s beginning, but then cuts herself off by admitting her boasts as “an empty threat.” On “House Full of Empty Rooms,” she is critical of herself as she mulls over the breakup that consumes her throughout the album. “I’m far from perfect,” she concedes. “I’m far from anything / But when we were together, I swear I made you happy.” In such moments, Edwards is uncompromising and Voyageur’s instrumentation follows suit. As “Change the Sheets” builds to a euphoric climax, Edwards grieves, “Here’s the truth / I swear I was fun,” before a momentous chorus carries her sorrows to an album highlight. Even at that point, though, Edwards can’t help but dig at herself. Her request at that chorus? “Change the sheets and then change me.”

However, the problem with Voyageur is that such excellent moments come within the first few tracks, leaving the album’s second half open for Edwards to downplay her strengths with plaintive acoustic guitar strums and plinking pianos. Not that these tracks that smooth out the flow of the record are particularly bad, but they compromise distinctiveness for comprehensiveness, approaching the bland anonymity of Marissa Nadler or, as Stephen Thompson of NPR puts it, “the sort of lovely, undemanding sleeper that tends to disappear amid strong reviews and low sales.” It is in these moments when Edwards’s double-tracked vocals bear striking resemblance to Laura Veirs’s, drawing comparisons that only further devastate Edwards’s identity.

And let’s be honest for a moment: A huge reason why Kathleen Edwards is being recognized now as opposed to ten years ago is because she’s recently started dating Bon Iver mastermind Justin Vernon, who coproduced the album. But, to be fair, aside from the guitar solo in “Going to Hell,” he leaves no clear mark, let alone evidence of him trying to steal the show. Instead, Vernon plays a thematic role on Voyageur, in which Edwards wrenches herself from the arms of a lover and into the arms of someone new. That fervency is what makes Voyageur unique, and it’s obvious Edwards’s emotions are best expressed when the music matches her intensity. The highs of the album provide that in spades, but, overall, it finds itself somewhat lacking. Voyageur makes a solid case for the solvency of Edwards as a songwriter, but too often feels like a stopgap rather than a statement.  
           


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Saturday, December 31, 2011

We Begin at the End (Again)


What a year. Not to just say that in an obligatory manner, but this year truly was an elevation from last. I rated almost twice as many albums, changed formats to something more palatable and finally got to do a year-end list my way, albeit with significant setbacks (Eh, nobody’s perfect).

I can’t help that my ambitions can exceed my ability, (read: tolerance to sit at a computer and write about music for hours and hours and hours at a time) but rest assured that 2012’s going to be just as incredible with perhaps even MORE music accounted for. And to think I might actually write about them this time! Wouldn’t that be something? Starting today, I’m going to be keeping abreast of the music of 2012 with reviews and such of the like. By my estimation, I already have about nineteen albums in the cannon to listen to over the next three months. So, needless to say, I’ll be keeping myself busy. Look forward to it.

But, besides a promise for the future, there is something I must mention that unfortunately may become a requisite of the yearly Modicums. You see, in order to prepare for them, I have to stop any submissions to my lists at the beginning of November, so the lists that I post don’t represent the recommended records and songs that come out in that glorious month and the one that follows. So, here I’ve posted my updated list of Greatest Albums and Songs of 2011. (The singles list actually wasn’t changed by year’s end, but I’ll include it for posterity.) Also, I’ve listed the recommended albums of November and December. And, because I’m self-depreciating, I’ve also enclosed a list of the records that I had intended to listen to but never got around to. Hope you enjoy the new submissions (and slight order changes), and have a great New Year. The weather’s been so nice lately, it would be pretty hard not to.

Oh, also, in case you were wondering, the live album of the year was Shining’s Live Blackjazz and the worst album of the year was the new Nickelback record. (My apologies Lulu anti-fans.)


CYM’s 50 Greatest Albums of 2011:


3.   La Dispute – Wildlife
4.   Kate Bush – 50 Words for Snow
8.   Tom Waits – Bad As Me
9.   Matana Roberts – Coin Coin Chapter One: Gens de couleur libres
13. Danny Brown – XXX
17. Girls – Father, Son, Holy Ghost
18. G-Side - iSLAND
23. Cymbals Eat Guitars – Lenses Alien
24.  A$AP Rocky – LiveLoveA$AP
29. Balam Acab – Wander/ Wonder
30. The Dear Hunter – The Color Spectrum: The Complete Collection
31.  Shabazz Palaces – Black Up
33. Miranda Lambert – Four the Record
35. M83 – Hurry Up, We’re Dreaming
39. When Saints Go Machine – Konkylie
43. Vektor – Outer Isolation



CYM’s 50 Greatest Songs of 2011:

1.     Tyler, the Creator – “Yonkers”
2.     Frank Turner – “Glory Hallelujah”
3.     Lil Wayne – “6’7’ (feat. Corey Gunz)”
4.     Cunninlynguists – “Enemies with Benefits (feat. Tonedeff)”
5.     Lana del Rey – “Video Games”
6.     James Blake – “Limit to Your Love”
7.     Gang Gang Dance – “MindKilla”
8.     James Blake – “I Never Learnt to Share”
9.     The Joy Formidable – “Whirring”
10. Girls – “Vomit”
11. La Dispute – “King Park”
12. Thomas Giles – “Medic”
13. Fleet Foxes – “Helplessness Blues”
15. M83 – “Midnight City”
16. Gang Gang Dance – “Glass Jar”
17. Destroyer – “Bay of Pigs (Detail)”
18. Over the Rhine – “Infamous Love Song”
19. Egyptrixx – “Recital (A Version)”
20. Lady Gaga – “Judas”
21. Bon Iver – “Perth”
22. Das Racist – “Michael Jackson”
23. Girls – “Honey Bunny”
24. Beastie Boys – “Make Some Noise”
26. Hayes Carll – “Grateful for Christmas”
27. Gucci Mane – “Brrrr (Supa Cold)”
28. Tom Waits – “Hell Broke Luce”
29. Jay-Z & Kanye West – “Niggas in Paris”
30. Gang Gang Dance – “Adult Goth”
31. Paul Simon – “Love and Hard Times”
32. St. Vincent – “Cruel”
33. Little Dragon – “Ritual Union”
34. Cymbals Eat Guitars – “Rifle Eyesight (Proper Name)”
36. The Go! Team – “Buy Nothing Day”
37. The Pains of Being Pure at Heart – “Belong”
38. St. Vincent – “Surgeon”
39. Thrice – “Anthology”
40. WU LYF – “Heavy Pop”
42. Cunninlynguists – “Murder (feat. Big K.R.I.T.)”
43. Patrick Wolf – “The City”
44. Pistol Annies – “Hell on Heels”
47. Wild Flag – “Romance”
48. When Saints Go Machine – “Kelly”
49. Ill Blu – “Meltdown”
50. Florence + The Machine – “Only if for a Night”


November / December Recommendations:

Action Bronson & Statik Selektah - Well Done



A$AP Rocky – LiveLoveA$AP

Kate Bush – 50 Words for Snow

The Dear Hunter – The Color Spectrum: The Complete Collection

G-Side – iSLAND

Steve Hauschildt – Tragedy & Geometry

Miranda Lambert – Four the Record

Los Campesinos! – Hello, Sadness

Thee Oh Sees – Carrion Crawler / The Dream

Vektor – Outer Isolation


Albums Missed:

Big Dee – Regifted Light
Circle of Ouroborus – Eleven Fingers
Country Mice – Festival
Curren$y – Muscle Car Chronicles
Endless Boogie – The Skinless Ogress Revolution, Which Feeds on Human Sacrifice
Escort – Escort
The Fall – Ersatz G.B.
Hammers of Misfortune – 17th Street
Lil B – BasedGod Velli
Lil B – Black Flame
Lil B – Blue Eyes
Lil B – Gold House
Lil B – I Forgive You
Lil B – Keep Your Eyes Open 2
Lil B – The Silent President
Mouse on tha Track – Swagga Fresh Freddy
Sandro Perri – Impossible Spaces
Bruno Pronsato – Lovers Do
Rome - Die Æsthetik der Herrschaftsfreiheit
The Skull Defekts – 2013-3012
Sloan – Is That All I Get? Sloan: Live 20.09.1993
Sun Araw – Ancient Romans
Sun City Girls – Gum Arabic
Cliffie Swan – Memories Come True
Trucebaldazzi – Odio la Scuola

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The Modicums 2011

Best Album:

Frank Turner – England Keep My Bones

Honorable Mentions:
Kate Bush  - 50 Words for Snow
Cunninlynguists – Oneirology
La Dispute – Wildlife
Gang Gang Dance – Eye Contact
PJ Harvey – Let England Shake
Moonsorrow – Varjoina kuljemme kuolleiden maassa
Over the Rhine – The Long Surrender
Matana Roberts – Coin Coin Chapter One: Gens de couleur libres
Tom Waits – Bad As Me


Best Song:

Tyler, the Creator – “Yonkers”

Honorable Mentions:
James Blake – “I Never Learnt to Share”
James Blake – “Limit to Your Love”
Cunninlynguists– “Enemies with Benefits (feat. Tonedeff)”
Lana Del Rey – “Video Games”
Gang Gang Dance – “MindKilla”
Girls – “Vomit”
The Joy Formidable – “Whirring”
Lil Wayne – “6’7’ (feat. Corey Gunz)”
Frank Turner – “Glory Hallelujah”


Best Vocal Performance on an Album (Male):

Jordan Dreyer – Wildlife (La Dispute)

Honorable Mentions:
Danny Brown – XXX
Kno, Deacon the Villain & Natti – Oneirology (Cunninlynguists)
E-40 – Revenue Retrievin’: Overtime Shift
Frank Turner – England Keep My Bones
Tom Waits – Bad As Me


Best Vocal Performance on an Album (Female)

PJ Harvey – Let England Shake

Honorable Mentions:
Erika Anderson – Past Life Martyred Saints (EMA)
Karin Bergquist – The Long Surrender (Over the Rhine)
Annie Clark – Strange Mercy (St. Vincent)
Merrill Garbus – w h o k i l l (tUnE-yArDs)
Matana Roberts – Coin Coin Chapter One: Gens de couleur libres


 Best Vocal Performance in a Song (Male)

Tyler, the Creator – “Yonkers”

Honorable Mentions:
Kno, Deacon the Villain, Natti & Tonedeff – “Enemies with Benefits” (Cunninlynguists)
Jordan Dryer – “King Park” (La Dispute)
Lil Wayne – “6’7’”
Natti – “Get Ignorant” (Cunninlynguists)
Tom Waits – “Hell Broke Luce”


Best Vocal Performance in a Song (Female)

Matana Roberts – “Pov Piti”

Honorable Mentions:
Erika Anderson – “Marked” (EMA)
Karin Bergquist – “Infamous Love Song” (Over the Rhine)
Merrill Garbus – “Killa” (tUnE-yArDs)
Ashley Monroe – “Hell on Heels” (Pistol Annies)


Best Guitar Performance on an Album

Steve Marion – Wondervisions (Delicate Steve)

Honorable Mentions:
Heri Joensen & Terji Skibenæs – The Lay of Thrym (Týr)
Erik Nelson – Outer Isolation (Vektor)
Sidi Tourè – Sahel Folk
Markus Valhala – New World Shadows (Omnium Gatherum)
Dustin Wong – Do Whatever You Want All the Time! (Ponytail)


Best Guitar Performance in a Song

Henri “Trollhorn” Urponpoika Sorvali – “Kuolleiden maa” (Moonsorrow)

Honorable Mentions:
Nels Cline – “Art of Almost” (Wilco)
Ruban Nielson – “Nerve Damage!” (Unknown Mortal Orchestra)
Robin Pecknold – “Sim Sala Bim” (Fleet Foxes)
Sidi Tourè – “Taray Kongo”
Markus Valhala – “Nova Flame” (Omnium Gatherum)


Best Bass Performance on an Album

Steve Terebecki – D (White Denim)

Honorable Mentions:
Frank Chin – Outer Isolation (Vektor)
Michael Benjamin Lerner – 12 Desperate Straight Lines (Telekinesis)
Cameron Omori – Dye It Blonde (Smith Westerns)
Tim Payne – No Devoluciòn (Thursday)
John Stirrat – The Whole Love (Wilco)


 Best Bass Performance in a Song

Stephen Bruner – “Is It Love?” (Thundercat)

Honorable Mentions:
Flea – “Goodbye Hurray” (Red Hot Chili Peppers)
Mick Harvey – “The Glorious Land” (PJ Harvey)
Michael Benjamin Lerner – “I Cannot Love You” (Telekinesis)
Toni Mäki – “An Infinite Mind” (Omnium Gatherum)
Toro Y Moi – “Still Sound”


Best Percussion Performance on an Album

Joshua Block – D (White Denim)

Honorable Mentions:
Nick Augustino – In Waves (Trivium)
Jeff Conaway – II (The Psychic Paramount)
Jeremy Hyman – Do Whatever You Want All the Time! (Ponytail)
John Stanier – Gloss Drop (Battles)
Matt Thomas – The Big Roar (The Joy Formidable)


Best Percussion Performance in a Song

Matt Thomas – “Whirring” (The Joy Formidable)

Honorable Mentions:
Nick Augustino – “Capsizing the Sea / In Waves” (Trivium)
Joshua Block – “At the Farm” (White Denim)
Charles Hayward – “You’re No Good” (About Group)
Joe Manning – “Dirt” (WU LYF)
John Stanier – “Ice Cream” (Battles)


Best Other Instrument Performance on an Album

Colin Stetson – New History Warfare Vol. 2: Judges [Bass Saxophone]

Honorable Mentions:
Dave Guy – No Time for Dreaming [Trumpet] (Charles Bradley)
Emmanuel Kunnuki & Olugbabe Okunade – From Africa with Fury: Rise [Trumpet] (Seun Kuti and Egypt 80)
The Prague Philharmonic – The Great Mass [Orchestra] (Septic Flesh)
Matana Roberts – Coin Coin Chapter One: Gens de couleur libres [Saxophone]
Ian Williams – Gloss Drop [Keyboard] (Battles)


Best Other Instrument Performance in a Song

John Parish – “Let England Shake” (PJ Harvey)

Honorable Mentions:
Dave Guy – “How Long” [Trumpet] (Charles Bradley)
Matana Roberts – “Rise” [Saxophone]
Colin Stetson – “Judges” [Bass Saxophone]
Ian Williams – “Ice Cream” [Keyboard] (Battles)
Flutist in “River to Consider” [Flute] (White Denim)





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Greatest Albums of 2011: #1: Frank Turner - England Keep My Bones


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Greatest Songs of 2011: #1: Tyler, the Creator - "Yonkers"


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