Mastodon - Live at the Aragon
Released: March 15th, 2011
Three words: “Thank you Chicago.” That’s all Mastodon say throughout their 2009 performance at the Aragon Ballroom. The Atlanta quintet has not been known to mince words, to say the least, and I had heard criticisms from people who had seen the group on their tour in support of Crack the Skye that they were too dry in their performance. In Live at the Aragon, Mastodon play the entirety of Crack the Sky, one song from Blood Mountain, one song from Leviathan, two songs from Remission and a Melvins cover. While I can get on the group for their unwillingness to deviate from their set formula, it’s hard to argue with such impeccably performed renditions of some of the most complicated metal of the past decade. People criticize Mastodon for lacking in the vocal department live (I know, because I laughed at them a lot in this video before I became a fan of the group), but the guys actually do a very good job of keeping up with the material. The “Fire in the eye” part of “Divinations” ain’t easy to perform and the guys pretty much pull it off. They’re workmanlike in their execution, but the material is so complicated, it’s just a treat to hear them perform it all so flawlessly. While the album other than Crack the Skye most represented on Live at the Aragon is my least favorite of the group’s (I find Remission too crude), the show is a harrowing hour that’s definitely worth any casual metal fan’s time. A-
Green Day - Awesome as Fuck
Released: March 15th, 2011
When I saw Green Day last summer, what I was most surprised by was how much time the group could spend going through the material from their last two albums without once playing a track released before 2004. People may have their qualms with those albums, but I actually think both are quite good, and was humbled to find that the crowd knew the words to lesser-known tracks like “Murder City” and “Jesus of Suburbia” just as if not better than I did. Awesome as Fuck will probably increase the disdain people have for Green Day for its gimmicky title and refusal to go the full Monty (You’ll notice it says Awesome as F**k on the cover), but the truth is it’s a really good live rendition of hits throughout their career being played among older songs that may even surprise longtime fans. The regular 3-hour Green Day show is cut down to a lean hour that is heavy on new material towards its opposing ends. In the middle, though, deep cuts like “Who Wrote Holden Caulfield?” and “Burnout” prove to be the album’s highlights for their astonishing adaptability to the arena. Billy Joe Armstrong’s all over the place, screaming his lungs out one moment then whispering tunefully the next. Awesome as Fuck is a compilation of songs from a lot of shows, so him screaming out the names of various cities can be a little confusing, but the album is a solid affair, a very good audio representation of some pretty incredible shows. B+
Billy Joel - Live at Shea Stadium
Released: March 8th, 2011
Fuck the haters; Billy Joel is one of the great American songwriters. Modern hipsters like to associate him with the bloated past, but the guy has come to represent New York’s vigor for forty years now, writing dozens of classics and at least one perfect album. True, the guy hasn’t released any new material in nearly twenty years, but the three live albums he’s released since ‘93’s River of Dreams are performances that show that the man’s fantastic songs have aged rather well. Joel can still sing the high notes in the chorus of “She’s Always a Woman” and can play that insane piano riff in “Angry Young Man” with nearly no mess-ups. The guy’s wit is also just as sharp as ever. “You gettin’ married?” he asks a couple I can only assume had gotten engaged during “She’s Always a Woman”. “Get a prenup,” he responds, the irony in proposing during that song not lost on him. As Shea Stadium’s last concert before being torn down, Live at Shea Stadium is a star-studded affair. Garth Brooks, John Mayer and Paul McCartney are competent on their respective songs, but none compare to Tony Bennett, whose duet with Joel on “New York State of Mind” is picturesque. As for the rest, it’s just Joel and his band, free to arrange his classics around any way he likes. 12 Gardens Live may be the better Joel live album to use as a novice’s introduction, but Live at Shea Stadium is still a great product if only to hear Joel reliably tell the crowd not to take shit from anyone by the concert’s end. A-
Deerhunter - Live from SoHo
Released: February 15th, 2011
I wasn’t as keen on Deerhunter’s latest album, Halcyon Digest, as a lot of other people were. While I thought it was very good, it never struck me as exemplary, too vulnerable to filler and shoegaze-y laments. Live from SoHo, Deerhunter’s iTunes-exclusive live EP, takes all the best moments of Halcyon Digest and drenches them in so much sticky atmosphere, it’s a wonder that this recording took place in an Apple Store once you get in the thick of it. With the exception of the bouncy “Rainwater Cassette Exchange” from the group’s EP of the same name, the songs performed on Live From Soho have a consistent style, which doesn’t suggest murkiness in sound, but professional cohesion in the musicians. “Desire Lines” transitions beautifully into “Hazel St.” and, true to the jamming nature of the show, closer, “He Would Have Laughed”, is expanded to over ten minutes before being cut abruptly short, as it does in its Halcyon studio version. These guys definitely have their shit down pat, and if you were already a Deerhunter fan, Live from SoHo should be all the more reason to go see them perform. Halcyon Digest didn’t knock my socks off, but Live from SoHo has inspired me to go see them before their true masterpiece is made. A-
Live Album Roundup: May 16th 2011
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