The only thing interesting about Grown Unknown is the album cover. The rest is the most generic thing I’ve heard yet this year. The last thirty seconds of the title track, where clapping patterns mix with swooping orchestration, is the only time I actually give a damn, and, even then, it sounds like something Laura Marling could do in her sleep. Other than that, Grown Unknown is just a half-assed attempt to make a record by Laura’s Marling and Veirs, Joanna Newsom and Scout Niblett. And when that attempt comes closer to Norah Jones than anything else, you need to really reconsider what your aspirations are with your musical career.